Almost every writer has experienced that feeling. You sit down with the best intentions, stare at the page, and nothing happens. It's tempting to call it writer's block, but maybe it isn’t always that cut and dried.

Sometimes we're trying to make a first draft sound like a final draft. Sometimes we don't yet know our characters well enough. Sometimes the story has quietly wandered off course, and our instincts are telling us something isn't quite right.

When I find myself staring at my blank computer screen I try some questioning tricks. I ask what my character really wants (in this scene, in the whole book, in life!) and also question whether the stakes are high enough. It’s not enough to say they want to achieve such and such, because we also need to know what would happen if they don’t.

You might discover, during your pondering, that you don't know what your character really wants. Perhaps the stakes aren't high enough. Maybe you've reached a scene that doesn't belong, or perhaps you're simply tired and need to step away for a while.

One of the most helpful things you can do is remove the pressure to write perfectly. Give yourself permission to write badly (for me, that is no problem at all!), write out of order, make notes instead of scenes, or simply ask questions on the page.

Stories reveal themselves one decision at a time. And being stuck doesn't mean you've failed.

When you hit a writing block, what usually helps you move forward again? Is it a walk, a prompt, talking it through, reading, or simply giving yourself a break? Let know in the comments, or just talk about anything writing related you like.

Until next time, happy writing!

When most people think about good writing, they think about  ideas, characters, or plot. But there's another element to it that enriches the reader's experience: the rhythm of the sentences themselves.
 
Every sentence has a pace. Some move quickly, driving the reader forward. Others slow things down, inviting reflection or creating atmosphere. A skilled writer knows when to use each.
 
One of the simplest ways to improve rhythm is through variety. If every sentence is the same length or follows the same pattern, the prose can become predictable. Mixing shorter, more direct sentences with longer, more flowing ones creates movement and keeps the reader engaged. See the picture below for a teaching tool I have seen several teachers use in workshops I have been to.

Reading aloud is one of the best editing tools you have. Awkward phrasing, repetition, and clumsy rhythms are much easier to hear than to see. If you find yourself stumbling over a sentence, your reader probably will too.
 
It's also worth paying attention to emphasis. Important words often have more impact when they appear at the beginning or end of a sentence. Sometimes moving just one phrase can completely change its effect.
 
The next time you revise, don't just ask whether your writing is correct. Ask yourself how it sounds. Does it flow? Does it pause where it should? Does it carry the reader naturally from one thought to the next?
 
Do you read your work aloud when you're editing, or is that a habit you'd like to develop? Let me know this, or anything about your own writing process, in the comments section here. Do you have any hot tips?

​Until next time, happy writing!

I don’t know about you, but I always feel it is a massive achievement to finish a first draft of anything, whether that is a flash fiction, short story, novel or any piece of writing. The achievement is that you did it – you started it and you finished. You transferred something from your head to the page, often with major life distractions.
 
But the first draft is only the beginning.
 
Revision is where a story really starts to come out. It's the stage where characters become clearer, scenes become stronger, and themes begin to emerge with greater confidence.
 
It can be a daunting undertaking though, so, instead of tackling everything at once, chop the job itself into bits. Give yourself a different focus with each read-through. Look at the overall structure first. Then examine character motivation. Next, consider pacing, dialogue, description, and finally the language itself. I started to do this after reading the book Solutions for Novelists – Secrets of a Master Editor by Sol Stein. It’s aimed at novelists, but is principles can be used for any writing. That micro-detail scene by scene, character by character.  It really helped me to focus on one thing at a time, and to give it my full attention.
 
Reading your work aloud is a great tool for editing. You'll hear repetition, awkward phrasing, and places where the rhythm falters far more easily than you'll spot them on the page.

Don’t be afraid to remove something you've worked hard to write. That’s the hardest thing by far to do – to delete or remove something you spent so much time on, and that you are really proud of. A beautiful paragraph that slows the story is still slowing the story. Every sentence should have a purpose. It’s a really tough thing, but you HAVE to be tough, and brave! Save those beautiful words for another project it might fit into.
 
Be patient with your work. Editing isn't the part that comes after writing. It's part of writing.
 
Tell me, when you revise, what do you tackle first? Do you do big-picture structure, character, dialogue, or polishing individual sentences? I am really interested to hear about other writers’ working techniques, so do comment here to let me know.